Sapele (Entandrophragma cylindricum) is an important African hardwood from the mahogany family, grown across tropical West and Central Africa. It's one of the most popular substitutes for Genuine Mahogany, at a significantly lower price.Its color ranges from light golden brown to darker reddish or pinkish-brown, darkening with age. It's moderately durable and stable, with a beautiful natural luster and a faint cedar-like scent when cut.Sapele is famous for its figure, especially the ribbon stripe on quartersawn boards, and you'll also find pommele, quilted, mottled, waterfall, beeswing and fiddleback. Highly figured boards can command high prices. It works, turns and finishes beautifully, though interlocked grain can tear out when planed, so take light final passes.The trees grow very large, so wide, long boards are readily available. Sapele is used for furniture, cabinetry, doors, windows, guitar backs, sides and necks, boatbuilding, flooring, turnings and veneer. For a close cousin, see Sipo.

Makore (Tieghemella heckelii), sometimes called African Cherry or Cherry Mahogany, is a beautiful hardwood from the rainforests of West Africa. It's strong and durable for its moderate density, it's often used as a mahogany substitute, and it has served many roles in its native Africa for centuries.The heartwood ranges from pink to light and medium reddish-brown, with clearly paler yellow sapwood. Quartersawn boards often show striped, mottled or even beeswing figure, with a fine, even texture and a lovely luster.It's usually straight-grained and easy to work, though some boards are wavy or interlocked, and it turns well. Its silica content can dull blades, so carbide tools help, but it gives the wood a fine luster and causes no trouble with gluing or finishing. The fine dust can irritate, so use good extraction.The trees grow very tall, so long, wide and thick boards are available. Makore is used for fine furniture, cabinetry, boatbuilding, flooring, turnings and veneer, and its color makes it a handsome alternative to Cherry.

Ambrosia Maple isn't a species. It's maple, most often Red or Sugar Maple, marked with colorful streaks and small holes left by the ambrosia beetle. It's sometimes called Wormy Maple.The beetle burrows into the tree and carries a fungus with it, which feeds its young. As the fungus spreads through the sap, it stains the wood with streaks, mostly blue-grey and sometimes greenish or brown, around the small tunnels. The beetles prefer freshly cut, drying wood and don't return once it's been kiln-dried, so the holes are no cause for concern.The result is a darker, more characterful surface than plain maple, with the same high luster and often other maple figure too, so every board is unique. It works as easily as any maple. Fill the beetle holes with epoxy or leave them as they are, and go slowly with high-speed tools, as maple can burn.Ambrosia Maple isn't durable outdoors, but it's stable enough for furniture, tabletops, guitars, cutting boards, turnings, crafts and veneer. For another naturally marked maple, see Spalted Maple.

Birdseye Maple isn't a species. It's a figure found mostly in Sugar Maple (Acer saccharum), and much of ours comes from Maine. It remains one of the most coveted figured maples and is rare: only a small fraction of maple trees develop it.The cause isn't proven, but the usual explanation is that tough growing conditions make the tree sprout tiny buds that never develop, leaving small “eyes” in the wood. Eye size and density vary a lot, and boards with more eyes command higher prices. Larger eyes can look almost three-dimensional once finished, like small brown bumps on a golden surface.It works like other hard maple, but occasionally an eye can tear out and leave a small void, so take light passes and sharp blades. Some guitar makers avoid it for fretboards for this reason, or seal it with lacquer. An oil finish makes the eyes pop.It's prized for fine furniture, cabinetry, guitar necks and bodies, boxes, interior trim and veneer, and it was a favorite of Art Deco designers. For a darker version, see Roasted Birdseye Maple.

Soft Maple isn't a single species. It's the name for the lighter maples, and ours is Red Maple (Acer rubrum), the heaviest and most common of them, found across the eastern US and Canada. Like all our maples, it's a Maine local.As with all maples, the pale white to golden sapwood is valued more than the darker heartwood. The grain is usually straight with a fine, even texture, and it's only slightly softer than Hard Maple, so it's hard enough for most furniture.It's a little easier to work than Hard Maple, and it machines, turns, glues and finishes well. Go slowly with high-speed tools, as maple can burn, and test stains first, as it can blotch. Figure can be dramatic, from tiger stripe and fiddleback to the occasional quilt.Its extra weight makes Red Maple the most useful of the soft maples for furniture and utility work. Soft Maple is a versatile, affordable choice for cabinetry, painted furniture, boxes, turnings, millwork and veneer. For figured stock, see Curly Soft Maple.

Silky Oak (Cardwellia sublimis) is an Australian hardwood from the rainforests of northern Queensland. It isn't a true oak but a member of the protea family, though it shares the look, with large rays and flecked figure that can be very dramatic on quartersawn faces.It's light to medium reddish-brown, with slightly darker rays ranging from muted brown to grey, and a silky sheen that gives it its name. It's easily mistaken for Lacewood, which looks and weighs much the same.Its coarse texture and flecks can make planing tricky, but otherwise it's easy to work, and it glues and finishes well. It's more durable than American oaks, and a clear finish makes the flecks shimmer.Supply to the US is sporadic, so it isn't widely known here. In Australia it has a long history in fine furniture and cabinetry. It's used for furniture, cabinetry, boxes, turnings, guitar backs and veneer. For a similar flecked look, see Leopardwood.

Holly (Ilex opaca), also called American Holly, is the closest thing to a truly white wood. It's prized for its consistent pale color, which shows little to no visible grain, and it holds that color well over time.The wood is ivory white to very pale grey, with a fine, even texture. Holly has to be dried quickly after cutting to prevent blue-grey fungal discoloration, so it's usually harvested in winter and kiln-dried promptly. That's why truly white boards command a premium.It glues, stains and finishes well, though interlocked grain and knots can make it tricky to work. It turns and carves beautifully. A clear, hard finish helps it keep its color, and it isn't durable outdoors.Traditionally used for inlay, stringing, marquetry and accents, it's becoming popular with turners for its looks and turning qualities. It's sometimes dyed black as an ebony substitute for decorative work, though it isn't dense enough for most instrument uses. For a creamy yellow alternative, see Boxwood.

Granadillo (Platymiscium spp.), also known as Hormigo or Macacauba, is known throughout Central America as “the wood that sings.” It's been a popular rosewood alternative with guitar builders ever since Brazilian Rosewood was placed under the strictest CITES protection in 1992.It's slightly less dense than a typical rosewood and much less oily. The base is brown, highlighted with muted purples, reds, oranges and golds, and the color deepens toward a richer reddish-brown with age. The grain is mostly straight, sometimes interlocked, with a medium texture.It works and finishes very well, with a natural luster, and strong chatoyance often appears after finish sanding. Because it's less oily than true rosewoods, it glues more easily, which makes it a practical choice for instrument building.Granadillo is a beautiful, slightly more affordable rosewood substitute with more than 50 years of use as a tonewood, especially for guitar backs, sides and fretboards, and for marimba bars. It's also popular for furniture, handles, inlay and turnings. See also its relative, Red Canarywood.

Iroko (Milicia spp.) is a tough, durable hardwood from tropical West and Central Africa that's often used in place of Teak. It's one of Africa's most important timbers.Its golden to medium brown color, coarse texture and interlocked grain give it a very Teak-like look. Freshly cut, it can be quite yellow, but it darkens to a richer brown with age and light exposure.It's lighter than Teak but resistant to rot and insects and strong for its weight, with good stability once dry. Despite the interlocked grain, it isn't difficult to work, and it glues and finishes well. Occasional hard mineral deposits can dull blades, and the dust can irritate, so wear a mask when machining.Iroko has long been used across Africa in many of the same roles Teak fills elsewhere. It's a great choice for boatbuilding, outdoor furniture, decking, flooring, cabinetry, countertops and general construction, and it offers Teak-like performance at a friendlier price.

Jelutong (Dyera costulata) is a light-colored Southeast Asian wood from Malaysia and Indonesia. Its trees were once tapped for latex used in chewing gum, before gum makers switched to synthetics.The wood is pale cream to straw-colored, with a generally straight grain and a fine, even texture. You may see small slit-like latex canals in some boards, a reminder of the tree's history.It's a favorite with carvers. The low density makes it exceptionally easy to work, and it's dimensionally stable and takes stain and finish well, with a subtle luster. It holds detail better than you might expect for such a soft wood, and it sands smoothly. It isn't durable outdoors, so keep it inside.The trees grow tall, so wide, clear boards are common, though lumber can be hard to find in the US. In Southeast Asia it's used much like Basswood: for carving, pattern-making, models, picture frames, drawing boards and utility work. It's an excellent choice for beginners learning to carve.

Kingwood (Dalbergia cearensis), also called Brazilian Kingwood or Violetwood, is one of the densest rosewoods and one of the most colorful. It grows in northeastern Brazil and has been prized by European furniture makers since the 17th century, when it was a favorite for royal cabinetry and marquetry.The reddish-brown heartwood is streaked with dark violet to black, and the pale yellow sapwood often adds dramatic contrast. The grain is usually straight, sometimes wavy or interlocked, with a fine, even texture and natural luster.Logs tend to check and crack, so clean, defect-free boards are rare, especially in larger sizes. It's very rot- and insect-resistant, and its oils can make gluing tricky, so wipe joints with a solvent first. It's also hard on tools, but it turns beautifully and polishes to a glassy finish.Kingwood is a favorite for fine inlay, banding, custom knife handles, pens and turnings, and it's also used for gun stocks, small boxes and veneer. For a softer-colored rosewood, see Tulipwood.

Koa (Acacia koa) is one of Hawaii's most beautiful native hardwoods and grows only on the Hawaiian Islands. It's sometimes compared to mahogany in appearance, and it holds a special place in Hawaiian culture, traditionally used for canoes and surfboards.It's generally medium to reddish brown, though color varies a lot, from golden to deep chocolate. Figured boards with strong curl and chatoyance are highly prized and can seem to glow under finish.It's quite stable and fairly easy to work, except where the grain is highly figured or interlocked, where sharp tools and light passes help. It glues and finishes well, and a clear finish brings out its depth.Koa is a very popular instrument wood with a rich, warm tone, used widely for guitar backs and sides, tops and ukuleles. It's also used for fine furniture, gun stocks, turnings, boxes, veneer and specialty pieces. Supply is limited, and highly figured boards command a premium. For a similar look at a friendlier price, see Australian Blackwood.

Black Cherry (Prunus serotina) is one of America's most important hardwoods and a long-time favorite for fine furniture. It grows across the eastern United States, with some of the finest timber coming from Pennsylvania and New York.Freshly cut, it's tan to light brown with a pink or red tint, and it ages to the rich reddish-brown (russet) that stains on other woods try to imitate. That color change happens quickly with light exposure. The sapwood is pale yellow, and small dark gum flecks and pith marks are part of its natural character.The grain is straight to irregular, the texture fine and even, and the density moderate. It's one of the most cooperative, user-friendly hardwoods around: easy to work, strong for its weight, stable and durable. It can blotch when stained, but with color like this there's rarely a reason to stain it. Go slowly with high-speed tools, as it can burn.Cherry is used for fine furniture, cabinetry, millwork, flooring, turnings and veneer, and occasionally for guitar necks and bodies. For figured stock, see Curly Cherry.

Curly Black Cherry (Prunus serotina) is the figured version of American Cherry, with bold, shimmering curl running across the grain. The best boards are quite dramatic, with the stripes appearing to move as you tilt the piece in the light.Freshly cut, it's tan to light brown with a pink or red tint, and it ages to a rich reddish-brown that deepens over the years. The grain is straight to irregular, the texture fine, and the density moderate.It's one of the most cooperative hardwoods to work, and it's strong for its weight, stable and durable. Take light passes with a sharp blade to avoid tear-out in the figure, and finish with an oil or clear finish to make the curl glow. It can blotch if stained, but the natural color and figure are the reason to buy it.Curly Cherry is the most sought-after form of this classic American wood, ideal for fine furniture, cabinetry, boxes, drawer fronts and instrument parts where the figure can show. Its stability has also earned it a place in guitar necks and bodies. See also plain Black Cherry.

Amara Ebony (Diospyros celebica) is generally regarded as the same species as Macassar Ebony, with Amara coming only from Indonesia. Its different look is put down to local soil conditions, and it's a wood rarely seen in the US.It's typically deep chocolate brown with pink striping, but we've also seen boards with greens and reds, more like Malaysian Blackwood, and others with gold and orange hues. Some show “landscape” grain patterns that make them look like a cross between the two. The sapwood is tan.The grain is more often wavy or irregular than straight, with a fine texture and a nice natural luster. We've found it slightly less dense than Macassar Ebony, and despite its density it works well, turning and polishing to a beautiful finish. Sharp tools help, and the fine dust is best handled with good extraction.Amara is a distinctive choice for carving, inlay, turnings, boxes, furniture accents, veneer and specialty pieces, anywhere you want an ebony that's a little out of the ordinary.

Gabon Ebony (Diospyros crassiflora), also called African Ebony, comes from West and Central Africa and is one of the most iconic woods in the world. Its heartwood ranges from pure black to variegated tones with greys, browns and even golden streaks.It's exceptionally dense, strong and naturally oily, and it takes an extraordinary polish with a beautiful luster when sanded. The texture is very fine and even, so it holds crisp detail. The oiliness can make gluing trickier, but the results are worth the care.The trees grow slowly and produce small logs, so long, clear boards are rare and expensive. It's also prone to checking, so pieces should be stored and worked carefully. Quality and availability in the US have declined, and prices have risen, so good stock is worth snapping up.Gabon Ebony is the traditional fingerboard and fitting wood for violins, violas, cellos and basses, and it's used for guitar fretboards, piano keys, carving, turnings and inlay. It's a favorite with turners, carvers and luthiers. See also Indian Ebony, a close match in looks.

Macassar Ebony (Diospyros celebica) comes from the Indonesian island of Sulawesi and is one of Southeast Asia's best-known exotics. It's one of our favorites, with a classic striped look that has been prized for luxury furniture since the Art Deco era.Deep brown dominates, with stripes that can include green, yellow, burgundy, red, orange and even peach in the best pieces. Stripes are usually broad and bold, often twisting and overlapping, and boards with fine, tight, even striping are rarer and more desirable. The sapwood ranges from dull tan to light golden brown.Like other dense woods, it can be hard to work and hard on blades, and it's prone to checking, so store it carefully. It rewards the effort with a superb finish, polishing to a deep, glassy luster.Macassar Ebony is in constant demand for veneer and is prized by guitar makers for backs, sides and fretboards, where its density gives a bright, clear tone. It's also used for cabinetry, pool cues, turnings, boxes and inlay. See also Amara Ebony.

Berlinia (Berlinia spp.) is a West African hardwood sold in the US as Ebiara or Red Zebrawood. It's a fairly new arrival on the US market, and a moderately priced one.The heartwood ranges from pale yellow to, more typically, a muted reddish-brown, with darker stripes that can be regular or irregular. That's where the comparison with Zebrawood comes from, and the two are in fact related.The grain is straight or interlocked and the texture medium to coarse, with good natural luster and occasional figure and chatoyance. It cuts, turns, glues and finishes smoothly, though interlocked boards can tear out, so take light final passes.Berlinia suits furniture, cabinetry, turnings, veneer and specialty items, and luthiers and turners are starting to take an interest in it.

Flame Birch isn't a separate species. It's Yellow Birch (Betula alleghaniensis) with a bold, wavy flamed figure running across the grain.The heartwood ranges from pale yellow to a light reddish-brown, with grayish-white sapwood. The best boards show wide, dramatic curl, similar to figured Cherry, that shimmers under a clear finish.It works easily and turns, glues and finishes well, though most boards have little natural luster until finished. It isn't durable outdoors, so keep it protected.Flame Birch is a favorite for boxes, turnings, crafts and specialty pieces where the figure can take center stage, and the best logs go to veneer. For a darker, more stable version, see Roasted Flame Birch.

Australian Blackwood (Acacia melanoxylon), also called Acacia Blackwood, is a close cousin of Hawaiian Koa, and it's growing in popularity with guitar makers and furniture builders. Despite the name, it isn't black.The tree is native to Australia, but our stock is grown in South Africa, where it was introduced in the 1800s and is now grown commercially. That shorter, more direct supply line makes it a far more cost-effective choice than imported Australian or Hawaiian woods, with the same good looks.The heartwood ranges from light golden brown to darker browns, often with streaks of other colors, and it's clearly set apart from the tan to light grey sapwood. The grain runs from straight to wavy or interlocked, with a fine texture and an impressive luster. Figured boards with Koa-like shimmer turn up only occasionally, so they're worth snapping up when they do. Apart from occasional tear-out, it works easily, and it turns, glues and finishes well.Tough, durable and good for bending, it's used for guitar backs and sides, furniture, cabinetry, boatbuilding, gun stocks and turnings.

Bocote (Cordia spp.) is a Mexican and Central American hardwood with a golden brown base and dark brown to black stripes.Its best boards are covered in tiny “eyes” in the grain. These aren't knots and cause no trouble when machining. In pieces grown south of Mexico, the base color can be a bright, muted orange.Despite its oily nature, Bocote glues surprisingly well, and it turns and finishes nicely. Some boards contain silica, which can dull blades, so keep a spare sharp edge handy.Its striking looks make it a favorite with furniture and cabinet makers, guitar builders and turners, and it's also used for gun stocks, flooring and veneer. It's related to Ziricote and Louro Preto.

Boxwood (Buxus macowanii), also known as Cape Boxwood or East London Boxwood, is native to the Eastern Cape of South Africa. It's a close cousin of the original European boxwood (Buxus sempervirens) and shares its most prized quality: a dense, ultra-fine texture that holds the crispest detail.The wood is a pale, creamy yellow with almost no visible grain, so nothing competes with the carving or turning itself. It cuts cleanly with sharp tools, turns superbly and finishes to a smooth, silky sheen without much more than fine sanding and a light oil or wax.The trees are small, rarely more than 20 feet tall with trunks of about 6 inches, and the dense wood is prone to cracking as it dries. That limits supply to small, craft-sized pieces. Ours comes from South Africa and has been slowly air-dried over many years for stability. Be wary of other pale, dense woods sold as boxwood.Boxwood has long been the wood of choice for fine carving, engraving blocks, chess pieces, rulers and instrument parts, and it's a favorite with turners for small, detailed work. For a more affordable alternative, see Castello Boxwood.

American Beech (Fagus grandifolia) is a common, reasonably priced hardwood with a pale cream color, often tinted pink or light reddish-brown.The grain is usually straight, sometimes wavy, and the texture medium. It cuts, turns, glues and finishes very well, with a moderate natural luster, and it steam-bends nicely. It's similar to Maple in hardness and density, so it's sometimes used in its place. It can move with changes in humidity, and it isn't durable outdoors.Flat-sawn boards are fairly plain and mostly go to utility work, while quartersawn pieces show an attractive silvery fleck that suits furniture and instruments. Steamed beech veneer takes on a pleasant golden brown.Beech is used for furniture, flooring, turnings and specialty items. See also European Beech.