Ebony – Indian
Indian Ebony is a true ebony which has been commonly used as a substitute for Gabon Ebony, due to its similar aesthetics. With a jet black base, occasional brown to muted orange striping (from mineral deposits) and a sap which can range from pale yellow to tan, one could certainly be forgiven for mistaking one for the other. That said, Indian Ebony is an exotic wood in very short supply — more so even than Gabon. Its grains are generally straight or irregular, and its texture is fine. It has a high natural oil content, which yields a high degree of luster.
It also is a less dense and hard ebony, having a Janka Hardness rating slightly over 20% less than Gabon (2430 lbf vs. 3080). It is a very popular wood with turners, as it turns and finishes beautifully, and has good working properties. Indian Ebony is also regularly employed as an acoustic guitar fretboard, although supplies to the US luthier industry is sometimes sporadic.
This species is not listed in the CITES Appendices, but is reported by the IUCN as being “data deficient.” Due to a recent history of exploitation, exporting has been restricted and is closely monitored in India and Sri Lanka.
Why We Love This Wood
If you're a guitarist who likes the look of ebony, but prefers a softer feel, Indian Ebony might be the perfect choice. While this is a pricey true (Diospyros) ebony, its price is generally about half of what you'd spend on the aesthetically similar Gabon Ebony. Despite not being as oily as Gabon, Indian Ebony still produces a wonderful natural luster and sheen when finished.
Traditionally, this wood has been widely used and quite popular in its indigenous South Asia region. Due to past exportation restrictions being placed on it, Indian Ebony has come into even more limited supply, here in the US.
A Popular Choice in
|Main Color Group||Variegated|
|Avg Dry Weight - LB/BF||4.8|
|Avg Dry Weight - KG/M3||915|
|Janka Hardness - LBF||2430|
|Janka Hardness - N||10790|
Ebony – Indian
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$3.00 – $21.00
Gorgeous colors and grain patterns have resulted in the exploitation of this beautiful species for use in production of “Hongmu” furniture. It looks similar in appearance to Kiaat/Muninga, another member of the Pterocarpus genus. We only have a few hundred BF of this endangered species left and don’t expect to get any more when it runs out.
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This South American species is closely related to the domestic Osage Orange.
The lumber it yields is typically a bit cleaner with less defects.
It is pretty hard and dense making it tough on tools, but it turns and finishes well.
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Spalted Tamarind comes from South East Asia. The decay/spalting gives the wood awesome spiderweb type patterns that add character and excitement to its appearance. The spalting is most prevalent in the sapwood which is prone to attack from bugs and fungus which cause it.
It is moderately difficult to work, but turns and finishes well. Sometimes the rot is more endemic than is obvious from looking at the surface of the lumber result in some wastage (lost pieces).
Take care to use good dust collection and a dust mask, as the fungal spores add more to the air than dust alone.
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This vibrant Central American wood can features primary colors ranging from orange to golden brown (with gold, red and sometimes even green accent coloration). It is thought to be the closest relative to Brazilwood (famous for its use in stringed-instrument bows), and Chakte Viga shares many of the same acoustic properties. Grains are straight, but sometimes interlocked — otherwise, this wood works easily, and finishes well. It has a fine texture and excellent natural luster. Sap is a pale off-white to pale yellow.
Chakte Viga is a wood that has been starting to emerge from relative obscurity over the last decade or so, being one of the lesser-known and -demanded woods from the tropical Central America region. We feel it has a huge untapped potential as a guitar tonewood, as well as in fine furniture production in the US. The wood has some very subtle aesthetics, sometimes exhibiting a 3D-like shimmering chatoyance after being finished with clear lacquer.
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Longhi is an African wood with similar working properties to its more well-known cousin, Anegre. Its color varies from a greyish-white to beige to pinkish-brown color, which slightly darkens with age and UV-ray exposure. Its generally light appearance makes sapwood difficult to distinguish. Its grains are typical straight (though occasionally interlocked) and its texture ranges between fine and medium-fine. It can sometimes possess mottled or subtle tiger-striped figuring.
The wood must be carefully dried, as it is susceptible to fungus. It is considered to be moderately durable, and moderately stable. Longhi has a solid strength-to-weight ratio, which makes it a popular choice for flooring and decking.
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Heartwood can vary from pale yellow to a light, muted reddish brown; sapwood is grayish-white. There are many species of Birch, worldwide; it is one of the most popular woods, ironically, for both veneer and utility applications. Figured pieces are the more desirable for veneer, with wide, dramatic curly figuring (similar to Cherry) decorating the surface.
American Birch works easily — it turns, glues and finishes well — although most boards have very little natural luster. It’s a versatile wood that can be used for a number of different applications, but it needs to be protected, as the wood will decay when exposed to the elements. (… and if left unprotected will rot.)
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