Cocobolo is a truly exquisite exotic wood that remains in high demand with fine furniture craftsmen and guitar luthiers, alike. It is renowned for its often amazing array of colors and for being an extremely dense, stable and durable wood (making it well suited for both major industry applications). It is a true rosewood, with a density second only to African Blackwood.
The wood has been somewhat maligned, perhaps unfairly, due to what many claim to be the toxicity of its dust (due to this, many luthiers refuse to work with it). Our experience has shown that Cocobolo produces a huge, dense volume of dust, when being sanded. We find this dust to be no more “toxic” than any other true Dalbergia rosewood, with such affects being attributable more to the sheer mass of dust created than anything unusually threatening about the dust’s chemical makeup.
This species is in CITES Appendix II, and is on the IUCN Red List. It is listed as “Vulnerable,” due to a population reduction of over 20% in the past three generations.
There has been a lot of heavy poaching going on throughout Central America — particularly in Mexico — and this wood is the most coveted in the entire region. Get this wood while you can, as its exportation will more than likely only become more restricted in the near future.
Cocobolo is a wood that many guitar luthiers continue to turn to, as the remaining remnants of Brazilian Rosewood in the US disappear. Examples from the western mountains of Costa Rica and particularly, Nicaragua can boast some incredible colors — covering the entire spectrum. Mexican Cocobolo and the Nicaraguan “Black Coco” are the two preferred varieties with furniture craftsmen. As previously mentioned, the wood does put off an unusually dense volume of dust when being sanded. Be sure to cover your eyes and wear a respirator when sanding, and blow out your shop or work area after working with it. (You might even want to wear a long-sleeved shirt.) Take these precautions and you shouldn’t experience any ill health-related issues.
Why We Love This Wood
The rich color palette just oozes sophistication...
A Popular Choice in
|Main Color Group||Dark Brown, Variegated|
|Avg Dry Weight - LB/BF||5.8|
|Avg Dry Weight - KG/M3||1095|
|Janka Hardness - LBF||2960|
|Janka Hardness - N||14140|
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$16.00 – $65.00
Our Cocobolo turning squares come in range of sizes and are excellent quality lumber.
The sizes are all rough-guides, but are basically accurate.
If you have very strict size criteria, please just drop us an email to confirm they will meet your expectations.
The photographs are representative of the stock you will receive. You won’t typically received surfaced blanks, but we surface a few on the photographs to give you an idea of what the lumber looks like.
Gorgeous colors and grain patterns have resulted in the exploitation of this beautiful species for use in production of “Hongmu” furniture. It looks similar in appearance to Kiaat/Muninga, another member of the Pterocarpus genus. We only have a few hundred BF of this endangered species left and don’t expect to get any more when it runs out.
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This South American species is closely related to the domestic Osage Orange.
The lumber it yields is typically a bit cleaner with less defects.
It is pretty hard and dense making it tough on tools, but it turns and finishes well.
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Spalted Tamarind comes from South East Asia. The decay/spalting gives the wood awesome spiderweb type patterns that add character and excitement to its appearance. The spalting is most prevalent in the sapwood which is prone to attack from bugs and fungus which cause it.
It is moderately difficult to work, but turns and finishes well. Sometimes the rot is more endemic than is obvious from looking at the surface of the lumber result in some wastage (lost pieces).
Take care to use good dust collection and a dust mask, as the fungal spores add more to the air than dust alone.
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This vibrant Central American wood can features primary colors ranging from orange to golden brown (with gold, red and sometimes even green accent coloration). It is thought to be the closest relative to Brazilwood (famous for its use in stringed-instrument bows), and Chakte Viga shares many of the same acoustic properties. Grains are straight, but sometimes interlocked — otherwise, this wood works easily, and finishes well. It has a fine texture and excellent natural luster. Sap is a pale off-white to pale yellow.
Chakte Viga is a wood that has been starting to emerge from relative obscurity over the last decade or so, being one of the lesser-known and -demanded woods from the tropical Central America region. We feel it has a huge untapped potential as a guitar tonewood, as well as in fine furniture production in the US. The wood has some very subtle aesthetics, sometimes exhibiting a 3D-like shimmering chatoyance after being finished with clear lacquer.
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Longhi is an African wood with similar working properties to its more well-known cousin, Anegre. Its color varies from a greyish-white to beige to pinkish-brown color, which slightly darkens with age and UV-ray exposure. Its generally light appearance makes sapwood difficult to distinguish. Its grains are typical straight (though occasionally interlocked) and its texture ranges between fine and medium-fine. It can sometimes possess mottled or subtle tiger-striped figuring.
The wood must be carefully dried, as it is susceptible to fungus. It is considered to be moderately durable, and moderately stable. Longhi has a solid strength-to-weight ratio, which makes it a popular choice for flooring and decking.
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Heartwood can vary from pale yellow to a light, muted reddish brown; sapwood is grayish-white. There are many species of Birch, worldwide; it is one of the most popular woods, ironically, for both veneer and utility applications. Figured pieces are the more desirable for veneer, with wide, dramatic curly figuring (similar to Cherry) decorating the surface.
American Birch works easily — it turns, glues and finishes well — although most boards have very little natural luster. It’s a versatile wood that can be used for a number of different applications, but it needs to be protected, as the wood will decay when exposed to the elements. (… and if left unprotected will rot.)
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