Already know what you're looking for?
Species Discovery Filters
From the same genus as Maple, this species has a similar yellow/light brown base color. Pink/red streaks can provide a wonderful contrast to that base color. It is not very hard or dense, but that softness does make it easy to work with.
This is a recent addition to our species offering and we are delighted to be able to offer it in 4/4 and 8/4.
Gorgeous colors and grain patterns have resulted in the exploitation of this beautiful species for use in production of "Hongmu" furniture. It looks similar in appearance to Kiaat/Muninga, another member of the Pterocarpus genus. We only have a few hundred BF of this endangered species left and don't expect to get any more when it runs out.
This vibrant Central American wood can features primary colors ranging from orange to golden brown (with gold, red and sometimes even green accent coloration). It is thought to be the closest relative to Brazilwood (famous for its use in stringed-instrument bows), and Chakte Viga shares many of the same acoustic properties. Grains are straight, but sometimes interlocked -- otherwise, this wood works easily, and finishes well. It has a fine texture and excellent natural luster. Sap is a pale off-white to pale yellow.
Chakte Viga is a wood that has been starting to emerge from relative obscurity over the last decade or so, being one of the lesser-known and -demanded woods from the tropical Central America region. We feel it has a huge untapped potential as a guitar tonewood, as well as in fine furniture production in the US. The wood has some very subtle aesthetics, sometimes exhibiting a 3D-like shimmering chatoyance after being finished with clear lacquer.
Its heartwood is cream to salmon colored, highlighted by striping which can be any combination of red, violet, purple, pink and rose hues. The sapwood is pale yellow to a very pale yellowish white. Heartwood color gradually fades with continued UV ray exposure.
Tulipwood is typically straight-grained, although grains can also be wavy or (infrequently) irregular. The wood has a high natural oil content and is quite dense, which makes working it an often-difficult prospect. Despite being rather grainy and pourous, it sands very smooth, revealing a pleasing natural luster.
As far as working characteristics are concerned, Yellowheart is generally very cooperative for a fairly dense and durable wood. (Although sharp blades may be necessary with some interlocked-grain boards.) It glues and finishes very well. The wood holds its color well: slowly darkening, to a degree, as it ages, often giving it an even more striking appearance.
Pink Ivory remains one of the most elusive, coveted and highly desirable of all the world's many exotic woods. Despite being indigenous to Southern Africa, the wood is rare throughout its home continent. What isn't exported abroad is said to be hoarded by rich, hierarchical families throughout Africa, as the wood is considered to be on the same level of value as diamonds and emeralds.
Its reputation in the US is that of being one of the most elusive, difficult-to-source of all exotic woods, and one of the "holy grail" exotic tonewoods in the eyes of many guitar builders.
In addition to its dazzling colors, texture and overall supremely regal appearance, Pink Ivory possesses great density (3230 lbf, on the Janka Hardness scale), making it well suited for a variety of applications. It is very popular with wood carvers and turners, alike, although it can be difficult to work and has reputation for dulling saw blades.<br><br>The Wood Database lists trees as growing to maturity at heights ranging from 100 - 130 feet, and trunk diameters of 3 to 5 feet. This, however, is inaccurate as trees rarely grow past 35 feet in height with trunks around one foot in diameter. The tree is protected and sustainably maintained in South Africa, only felled after the issuance of very limited permitting by respective state government environmental authorities. Given this, it's little wonder that finding any Pink or Red Ivory beyond small craft-sized pieces has proven a very difficult task in the US.
Redheart is a unique Central / South American hardwood characterized by a reddish base color -- ranging from dull to bright pink, pinkish-red or red -- with streaks and highlights diverse in color, from darker red tones, to yellows, oranges and even occasional purples. Grains range from irregular to wild (although sometimes straight, also), and can often be multi-dimensional or overlapping -- often to very dramatic effect, especially when vibrant secondary colors are present.
Its texture is fine and smooth, although it does not possess much natural luster. It works, turns, glues and finishes well, as would be expected with a wood of its moderate density.
Despite Redheart's rather moderate weight, hardness and density, the wood can burn easily when resawn, if blades and cutting tools are not sharp. Such burning produces a black tar-like resin which adheres to the wood's surface and requires patient sanding.<br><br>With its sometimes stunning aesthetic qualities, Redheart has been a popular turning wood; it is starting to appear more frequently in custom electric guitar building (necks, fretboards, etc.), also.
The wood typically has a high natural oil content, which can make gluing challenging.
Its easy, cooperative working properties combined with its consistent texture and color make it loved by craftsmen, carvers and turners, alike. It is highly regarded all over Europe, and considered by many to be the region's finest hardwood, boasting properties similar to rosewood.
Its heartwood can vary from a muted orange- to reddish-brown, with dark brown or black thin stripes. Sapwood typically has a yellow tint and is commonly seen in boards.
It also is a less dense and hard ebony, having a Janka Hardness rating slightly over 20% less than Gabon (2430 lbf vs. 3080). It is a very popular wood with turners, as it turns and finishes beautifully, and has good working properties. Indian Ebony is also regularly employed as an acoustic guitar fretboard, although supplies to the US luthier industry is sometimes sporadic.