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Aesthetically, the wood is similar, also, to its African first cousin, Sapele (with both being species of the Entandrophragma genus) -- although Sipo is more pourous, and has richer color.
It turns and finishes well, although gluing can be problematic, due to the natural oil content of the wood.
Between the tree's natural oils and latex production, resawing the wood tends to gum up saw blades. Difficulties aside, the wood turns and finishes well, and its density and pleasant aesthetics make it popular with wood carvers, as well.
Its grains are typically straight (although sometimes wavy, or even interlocked) with a high natual oil content. This generally makes for favorable working characteristics, although the wood does possess a high silica content.
The wood has a high silica content, as well -- so resawing the wood can quickly dull and gum up blades.
African Walnut's grains are typically straight or slightly interlocked -- yielding good working properties -- with a fine to medium, consistent texture and a fine natural luster. Finding figured pieces is not uncommon. It turns, glues and finishes well. The wood is considered moderately durable.
As far as working characteristics are concerned, Yellowheart is generally very cooperative for a fairly dense and durable wood. (Although sharp blades may be necessary with some interlocked-grain boards.) It glues and finishes very well. The wood holds its color well: slowly darkening, to a degree, as it ages, often giving it an even more striking appearance.
The wood turns excellently, and it is easy to nail, crew or glue. It polishes to a smooth, fine finish, and is considered to be a very dimensionally stable wood.
Drying the wood is a slow, burdenous process. Like many woods which are comparably hard, logs and boards have a tendency to crack while drying, although Pau Rosa is considered very durable and dimensionally stable, there after.
Its easy, cooperative working properties combined with its consistent texture and color make it loved by craftsmen, carvers and turners, alike. It is highly regarded all over Europe, and considered by many to be the region's finest hardwood, boasting properties similar to rosewood.
The wood typically has a high natural oil content, which can make gluing challenging.
The wood is considered very difficult to work, as -- in addition to its great density -- its grain patterns are usually interlocked. It turns smoothly and (as would be expected) holds details very well, making it popular with turners and carvers who know of it.
We stock roots, but the details we provide are for the timber.
Known in the US primarily as "Genuine Mahogany," Swietenia Macrophylla, its scientific name, is what most in the exotic lumber industry consider to be the true species when referring to "Mahogany." Historically, it has been a very economically important wood throughout the Latin America region. Its color can range from a pale pink to a light to medium reddish-brown, and it is renowned for its chatoyance. Grains vary; although generally straight, they can be interlocked, irregular or wavy, also. Its texture is fine and uniform, with a rich natural luster.
Lumber which originates from the wood's indigenous natural regions is considered to be significantly more durable and stable than its plantation-grown counterparts.
Once a mainstay in the cabinetry, furniture and guitar building industries, here in the US, Genuine Mahogany has become increasingly more difficult to source since its inclusion in CITES' Appendix II, in 2003. It is still imported, although a significantly high percentage are of plantation-grown origin -- which is less desirable and considered to be of inferior quality to that grown in native habitats.
While the net effect of all this has been to create a 'mahogany substitute' segment of the exotic wood import industry -- bringing woods such as Sapele and African Mahogany more into favor -- the demand for Genuine Mahogany hasn't waned.
Its excellent strength-to-weight ratio, handsome looks, easy workability and steady supply has cemented Maple as a part of both American industry and culture. Despite its ready availability, premium-grade boards always command high prices and remain in constant demand, worldwide.
The wood can prove difficult to work, on account of its density and sometimes interlocked graining. Marblewood is also known for its high natural resin content; proper, complete kiln drying is essential for applications which involve finishing.
Grains can be wavy, interlocked or sometimes straight; its texture is fine, with a good natural luster.
Its generally straight (though occasionally interlocked) grains, fine to medium-fine, consistent texture and nice natural luster render exceptional working and finishing properties.
Leadwood is an excellent wood for any outdoor applications where strength, insect resistance and durability are required. Its tremendous density makes it difficult to plane and hard on cutting tools and saw blades -- and its high natural oil content can make it difficult to glue -- but its tightly uniform, fine grains allows it to turn, sand and finish beautifully.
It also is a less dense and hard ebony, having a Janka Hardness rating slightly over 20% less than Gabon (2430 lbf vs. 3080). It is a very popular wood with turners, as it turns and finishes beautifully, and has good working properties. Indian Ebony is also regularly employed as an acoustic guitar fretboard, although supplies to the US luthier industry is sometimes sporadic.