Olive – Wild
For millenniums, Olivewood has remained a wood of great cultural and religious importance and significance, especially in the Middle East. The wood can, indeed, be exquisite in appearance: with its (typically) creamy, golden brown base, and darker streaks and highlights, often augmented by spectacular figuring and/or areas of magnificent burling.
Grain patterns are usually either straight or wild, although they can sometimes be interlocked, as well. Although opinions differ, Olivewood is thought by many to be a very durable wood, although it can be susceptible to insect / bug infestation. The wood is considered to be a superb turner, and it generally works, glues and finishes well. Because the fruit of the Olive tree is olives, there is a limited supply of Olivewood that is made available to the US.
For wood craftsmen of all niches, Olivewood is highly desired for its often spectacular aesthetics; being known for its gorgeous, often-twisting grain patterns and dramatic figuring. Defects are not uncommon, and can often present some challenges when working, but hard work and perseverance can produce extraordinary results; there’s really no other wood quite like it.
Found in the Mediterranean Basin — from Portugal to the Levant, and the Arabian Peninsula — and Southern Asia, as far east as China, the Olive tree grows as a small evergreen tree or shrub. It is also known to grow in the Canary Islands, Mauritius and Reunion. The species is / has been cultivated in many places; it’s considered “naturalized” in the Mediterranean coast countries, as well as in Argentina, Saudi Arabia, Java (Indonesia), Norfolk Island, (the U.S. state) California, and Bermuda.
Its trunk is generally twisted and/or gnarled, making long, defected free boards quite rare. When found, they command a premium price.
Not listed in the CITES Appendices or on the IUCN Red List of Threatened Species.
Why We Love This Wood
The Wild Olive we stock which comes from South Africa might be a little more rustic than some of the European Olive available, but we think the wild grain patterns are just superb!
A Popular Choice in
|Main Color Group||Variegated|
|Avg Dry Weight - LB/BF||5.2|
|Avg Dry Weight - KG/M3||990|
|Janka Hardness - LBF||2700|
|Janka Hardness - N||12010|
Olive – Wild
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Cracks. Bark inclusion. Skip planed.
Gorgeous colors and grain patterns have resulted in the exploitation of this beautiful species for use in production of “Hongmu” furniture. It looks similar in appearance to Kiaat/Muninga, another member of the Pterocarpus genus. We only have a few hundred BF of this endangered species left and don’t expect to get any more when it runs out.
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This South American species is closely related to the domestic Osage Orange.
The lumber it yields is typically a bit cleaner with less defects.
It is pretty hard and dense making it tough on tools, but it turns and finishes well.
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Spalted Tamarind comes from South East Asia. The decay/spalting gives the wood awesome spiderweb type patterns that add character and excitement to its appearance. The spalting is most prevalent in the sapwood which is prone to attack from bugs and fungus which cause it.
It is moderately difficult to work, but turns and finishes well. Sometimes the rot is more endemic than is obvious from looking at the surface of the lumber result in some wastage (lost pieces).
Take care to use good dust collection and a dust mask, as the fungal spores add more to the air than dust alone.
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This vibrant Central American wood can features primary colors ranging from orange to golden brown (with gold, red and sometimes even green accent coloration). It is thought to be the closest relative to Brazilwood (famous for its use in stringed-instrument bows), and Chakte Viga shares many of the same acoustic properties. Grains are straight, but sometimes interlocked — otherwise, this wood works easily, and finishes well. It has a fine texture and excellent natural luster. Sap is a pale off-white to pale yellow.
Chakte Viga is a wood that has been starting to emerge from relative obscurity over the last decade or so, being one of the lesser-known and -demanded woods from the tropical Central America region. We feel it has a huge untapped potential as a guitar tonewood, as well as in fine furniture production in the US. The wood has some very subtle aesthetics, sometimes exhibiting a 3D-like shimmering chatoyance after being finished with clear lacquer.
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Longhi is an African wood with similar working properties to its more well-known cousin, Anegre. Its color varies from a greyish-white to beige to pinkish-brown color, which slightly darkens with age and UV-ray exposure. Its generally light appearance makes sapwood difficult to distinguish. Its grains are typical straight (though occasionally interlocked) and its texture ranges between fine and medium-fine. It can sometimes possess mottled or subtle tiger-striped figuring.
The wood must be carefully dried, as it is susceptible to fungus. It is considered to be moderately durable, and moderately stable. Longhi has a solid strength-to-weight ratio, which makes it a popular choice for flooring and decking.
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Heartwood can vary from pale yellow to a light, muted reddish brown; sapwood is grayish-white. There are many species of Birch, worldwide; it is one of the most popular woods, ironically, for both veneer and utility applications. Figured pieces are the more desirable for veneer, with wide, dramatic curly figuring (similar to Cherry) decorating the surface.
American Birch works easily — it turns, glues and finishes well — although most boards have very little natural luster. It’s a versatile wood that can be used for a number of different applications, but it needs to be protected, as the wood will decay when exposed to the elements. (… and if left unprotected will rot.)
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