Indigenous to the tropical regions of East Africa and West Africa, as far south as Angola.¬† Anegre has been used primarily as an interior wood; it is decidedly non-durable, and thus not recommended for outdoor applications. The wood’s aesthetics can vary greatly, as Anegre is comprised of three separate species within the Pouteria genus. Its colors can range from pale yellowish to orangish-brown wood, to a pale pinkish-brown, sometimes with additional highlight coloration. Anegre typically darkens to a golden-to reddish brown over time, with repeated UV ray exposure. The heartwood and sapwood of Anegre are usually not distinguishable from each other.
Anegre has a medium texture with closed pores similar to Maple.¬† The species is easy to work with both hand and power tools.
Examples can be quite beautiful — and sometimes stunning, with curly and mottled figuring being not uncommon. Its hues tend to be generally pastel in nature, so it makes a very complimentary, aesthetically unimposing wood for a variety of interior applications. Grains are typically straight but can occasionally be interlocked. Its texture is medium and it has a nice natural luster.
Anigre is not listed in the CITES Appendices, but some species are reported by the IUCN as being “conservation dependent.” Essentially, from the IUCN’s perspective, if any of the current conservation programs protecting these respective species were to cease it would likely result in their rendering a “vulnerable” or “endangered” Red List status.
Why We Love This Wood
Formerly classified in the genus "Aningeria," Anigre is currently placed in the Pouteria genus. Depending on specific species, Anegre has varying degrees of silica content. While possessing a moderate hardness and density, it has generally cooperative working properties, but can gum up cutters and blades.
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Gorgeous colors and grain patterns have resulted in the exploitation of this beautiful species for use in production of “Hongmu” furniture. It looks similar in appearance to Kiaat/Muninga, another member of the Pterocarpus genus. We only have a few hundred BF of this endangered species left and don’t expect to get any more when it runs out.
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This South American species is closely related to the domestic Osage Orange.
The lumber it yields is typically a bit cleaner with less defects.
It is pretty hard and dense making it tough on tools, but it turns and finishes well.
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Spalted Tamarind comes from South East Asia. The decay/spalting gives the wood awesome spiderweb type patterns that add character and excitement to its appearance. The spalting is most prevalent in the sapwood which is prone to attack from bugs and fungus which cause it.
It is moderately difficult to work, but turns and finishes well. Sometimes the rot is more endemic than is obvious from looking at the surface of the lumber result in some wastage (lost pieces).
Take care to use good dust collection and a dust mask, as the fungal spores add more to the air than dust alone.
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This vibrant Central American wood can features primary colors ranging from orange to golden brown (with gold, red and sometimes even green accent coloration). It is thought to be the closest relative to Brazilwood (famous for its use in stringed-instrument bows), and Chakte Viga shares many of the same acoustic properties. Grains are straight, but sometimes interlocked — otherwise, this wood works easily, and finishes well. It has a fine texture and excellent natural luster. Sap is a pale off-white to pale yellow.
Chakte Viga is a wood that has been starting to emerge from relative obscurity over the last decade or so, being one of the lesser-known and -demanded woods from the tropical Central America region. We feel it has a huge untapped potential as a guitar tonewood, as well as in fine furniture production in the US. The wood has some very subtle aesthetics, sometimes exhibiting a 3D-like shimmering chatoyance after being finished with clear lacquer.
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Longhi is an African wood with similar working properties to its more well-known cousin, Anegre. Its color varies from a greyish-white to beige to pinkish-brown color, which slightly darkens with age and UV-ray exposure. Its generally light appearance makes sapwood difficult to distinguish. Its grains are typical straight (though occasionally interlocked) and its texture ranges between fine and medium-fine. It can sometimes possess mottled or subtle tiger-striped figuring.
The wood must be carefully dried, as it is susceptible to fungus. It is considered to be moderately durable, and moderately stable. Longhi has a solid strength-to-weight ratio, which makes it a popular choice for flooring and decking.
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Heartwood can vary from pale yellow to a light, muted reddish brown; sapwood is grayish-white. There are many species of Birch, worldwide; it is one of the most popular woods, ironically, for both veneer and utility applications. Figured pieces are the more desirable for veneer, with wide, dramatic curly figuring (similar to Cherry) decorating the surface.
American Birch works easily — it turns, glues and finishes well — although most boards have very little natural luster. It’s a versatile wood that can be used for a number of different applications, but it needs to be protected, as the wood will decay when exposed to the elements. (… and if left unprotected will rot.)
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