Yellowheart is a neo-satine wood whose color can range from pale yellow to bright yellow to varying shades of gold. Sapwood is lighter and pale, but not always easily discerned from pale-colored heartwood. Its grains are typically straight, but can also by wavy and/or interlocked. Its typically fine (sometimes medium or in between), consistent texture takes on a luxurious look, revealing a deep natural luster, when sanded.

As far as working characteristics are concerned, Yellowheart is generally very cooperative for a fairly dense and durable wood. (Although sharp blades may be necessary with some interlocked-grain boards.) It glues and finishes very well. The wood holds its color well: slowly darkening, to a degree, as it ages, often giving it an even more striking appearance.

Ziricote is one of the most popular, visually striking exotic woods in the world. Renowned for its “landscape” or “spiderweb” grain patterns, its colors range from medium to dark shades of brown (occasionally with either a green or purplish tint), and are accentuated by intermingled bands of unpredictable, irregular black growth rings. Sapwood is easily distinguishable by its dull off-white to pale yellow hue.

Although it is a fairly dense wood, its typical straight (though sometimes slightly interlocked) grains and fine to medium-fine texture give it cooperative working properties, as it cuts, turns, glues and finishes smoothly.

Ziricote is a close relative (and neighbor) of Bocote, with both being Central American woods of the Cordia genus. Its radical, often-dramatic grain patterns have given the wood somewhat of an ‘elite’ status among international exotic woods enthusiasts.¬† While it has never been an inexpensive wood, recent revelations of epidemic poaching across Mexico have resulted in a greatly reduced supply and sharp price increases on wholesale and retails levels.

Unless action is taken to stem the tide (of poaching), Ziricote and other Central American woods could very well be the subject of actions from CITES in the very near future.  Interestingly, the bark of the Cordia dodecandra tree and the wood have medicinal properties: the tea which is derived from their infusion is used in traditional medicine in Mexico, to treat coughs, diarrhea and dysentery.

A cousin of the more popular and well-known African tonewood, Bubinga, Ovangkol/Shedua is a softer wood (of similar weight and density) with handsome, yet greatly varying aesthetics. Its heartwood color can range anywhere from a light to medium yellow, to a light orange- or reddish-brown, usually highlighted by darker brown or black striping. Its unmistakable sapwood is pale yellow in color.

Its grains can be straight, wavy or interlocked, with generally a medium texture and nice natural luster (due in part to a somewhat high silica content). It is a tough, durable wood, usually possessing fairly cooperative working properties — although its silica content can gum up blades and cutting tools, and there can be tearout issues with boards with interlocking grain patterns. Shedua turns, glues and finishes quite well.

African Paduak is a very strong, stable hardwood. It is known for its typically robust reddish-brown coloration (which darkens with age), although colors can range from a bright orange to a slightly muted burgundy often with highlights, grain lines and/or secondary colors ranging from brick red to a more purplish muted hue. The wood can sometimes be found figured (ribbon; striped; etc.), and it is well known for its deep chatoyance and wonderful natural luster. Grains are typically straight, though sometimes interlocked.

The wood is considered very durable and also resistant to bug / insect / termite attack, which accordingly has seen it used in outdoor applications for centuries in its native Africa. Its working and finishing characteristics are decidedly favorable.

Panga Panga is the first cousin to Africa’s more popular and well-known exotic, Wenge (with both trees being of the Millettia genus) — sharing a similar large pored, course texture, and presenting some of the same challenges when working. It is generally a bit lighter colored, with heartwood ranging from the lighter to darkers sides of medium brown, with dark brown to black streaks and/or highlighted grain lines. Darker examples can be easily confused with Wenge, and they have been known to turn almost black as they age.

Madagascar Rosewood is a very popular wood with both acoustic and electric guitar luthiers (especially the former), as well as furniture craftsmen, despite being a wood that has been difficult to acquire in the US for the bulk of this new millennium. Depending on the specific species, heartwood colors can range anywhere from a pale yellowish-brown to orangish-red to deep burgundy to a chocolate brown, typically highlighted by bold black ink lines and secondary hues. Its straight grains and medium texture generally make for excellent working properties, despite its considerable hardness and density; its cuts, turns and finishes beautifully, with a nice natural luster.

The wood typically has a high natural oil content, which can make gluing challenging.

More commonly known as “Pale Moon Ebony” to US guitar luthiers and aficionados, this Southeast Asian true Diospyros ebony is, without question, the world’s most difficult, perplexing exotic wood and at times, one of its most visually stunning. (It’s also one of its most sought-after.) The wood is known for the bold jet black ink lines which adorn its creamy, pale yellow base. Both the volume and pattern of its lines are unpredictable, varying greatly from piece to piece. Grains can be straight, wavy or irregular; its texture is fine, with a nice natural luster. Its hardness and density are quite moderate for an ebony.

After being harvested or re-sawn, the wood exhibits a strong tendency to self-destruct — often changing shape, cracking and checking — if not quickly coated in wax. Although it’s not currently viewed as endangered, the wood has always been in short supply in the US, despite an unquenchable demand from custom guitar builders and wood enthusiasts, alike. Other than the difficulties in drying, it has good working properties; it machines, turns, glues and finishes well.

Because of its noted self-destructive tendencies, the wood is coated in wax almost immediately after being harvested. Given this, what little makes it to the US market arrives with very high moisture levels, necessitating further drying. (This is where it gets tricky.) Experience has shown that the best drying results are obtained by leaving the wood coated in wax and just patiently allowing it to air dry. Any attempts to speed up this process are very risky as the wood usually winds up punishing the impatient! Even when dried very slowly, the wood can still change shape. It’s not unusual, at all, to find pieces with major surface checks and cracks that occur even while under wax. For this reason, you see significantly more craft-sized pieces than larger, resawable boards (which typically command a premium price). Recutting boards will speed up the drying process, but attentive care must be taken to prevent warpage of the cut pieces. Importation to the US has been through very limited, select channels on an irregular basis for a number of years.

This wood is most always in short supply, while the demand remains constant. Rare Woods USA is very pleased to be able to offer a limited amount of larger boards and billets of this spectacular exotic wood. Lumber orders to Southeast Asia can sometimes take 12 to 18 months or more to fill, ship and receive. With the recent banning of rosewood and ebony exportation by the Laotian government, we’re not sure how soon we’ll be able to restock (if at all). For the last several years, US importation of Black & White Ebony has been exclusively from Laos.

Also known as “Satine,” Bloodwood is an exotic South American import that continues to grow in popularity here in the states. It’s dark, savory red tones, untypically do not fade, mute or darken much over time. It is known for its “satiny,” highly-chatoyant finish. While the heartwood typically is comprised of red hues, it is known to have variances ranging from oranges to pale yellows, interspersed. It’s impressive density makes it ideal for an electric guitar fretboard or an acoustic guitar back and sides; wood turners love it, as well, for its fabulous, unique aesthetics and very reasonable price.

The reason this wood continues to grow in popularity in the US with guitar builders, gun & knife manufacturers (handles) and wood turners, is due to the exceptional aesthetics, for which the species is known, and the very reasonable board-foot prices for which these boards generally sell. Boards of exceptional quality will command a premium, but still represent a whole lot of ‘bang for the buck’ for an imported exotic wood.